An old leper who owned a remote sorghum winery dies. Jiu’er, the wife bought by the leper, and her lover, identified only as “my Grandpa” by the narrator, take over the winery and set up an idealized quasi-matriarchal community headed by Jiu’er. When the Japanese invaders subject the area to their rule and cut down the sorghum to make way for a road, the community rises up and resists as the sorghum grows anew.

The story follows the 10th anniversary of Bo and Keung. In the ten years, the couple has gone through quite a number of ups and downs. After trying to develop his career in the mainland, Keung has returned to work in Hong Kong while Bo has stayed in Hong Kong to run a wedding consultancy firm. Bo firmly believes that love is forever and has witnessed over the years numerous sweet stories of love bearing fruits. However in private, the love between her and Keung has long turned bland. Keung wants to have children but Bo cannot care less. Once again, the couple is plunged into emotional ebb. Meanwhile, the betrayals years back begin to emerge again…

Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.

Loosely based on The Tale of Darkness, a traditional song of mourning, the film follows Wang Zhun, a director in search of inspiration for his new script, as he embarks on an unpredictable trek across China’s remote Shennongjia mountains in Hubei province with an urbane producer, Ding Hongmei; a young actor named Bai; and his loyal photographer, Du Chun. The journey delivers a relentless series of unexpected physical hardships and subtle emotional ebbs and flows on the protagonists.

Yuan Shuai, a debt-ridden animal-breeder, tries to get out of his financial predicament by finding a wealthy girlfriend through matchmaking dates. He unexpectedly meets and fall in love with the fox demon, Bai Xianchu, who has arrived to the mortal realm to repay her gratitude. However, the head of the Demon tribe Yun Zhonghe forbids a love relationship between a demon and a human; and takes Bai Xianchu away. To seek his lover, Yuan Shuai bravely crashes the demonic world.

A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)

Charts the iconic British band’s sprawling journey over the last few years – from an unexpected break in Hong Kong which sowed the seeds for their first album as a four piece in 16 years, to a glorious home coming show in London and, finally, an emotional reunion with their Hong Kong audience.

A pained cry pierces the heart of a rustic mountain town in Larry Yang’s remarkable second feature Mountain Cry. When La Hong (Yu Ailei) dies in an accident involving an explosive badger trap, naïve Han Chong (Wang Ziyi) obeys village decree and takes the responsibility of caring for La Hong’s mute widow Hong Xia (Lang Yueting) and their children. But as they start to form an emotional bond, suspicions arise concerning La Hong’s death. A melodrama condemning intolerance, it is also a love story of remarkable credibility and emotional depth.